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It was an adventure for me. With Manhattan , Keaton and Woody Allen ended their long working relationship; it was their last major collaboration until In she became romantically involved with Warren Beatty , and two years later he cast her opposite him in the epic historical drama Reds.

In the film she played Louise Bryant , a journalist and feminist, who flees her husband to work with radical journalist John Reed Beatty and later enters Russia to find him as he chronicles the Russian Civil War.

Beatty cast Keaton after seeing her in Annie Hall , as he wanted to bring her natural nervousness and insecure attitude to the role.

The production of Reds was delayed several times following its conception in , and Keaton almost left the project when she believed it would never be produced.

Filming finally began two years later. In a Vanity Fair story, Keaton described her role as "the everyman of that piece, as someone who wanted to be extraordinary but was probably more ordinary I knew what it felt like to be extremely insecure.

It's the best work she has done to date. I had somehow gotten into the habit of expecting her to be a touchy New Yorker, sweet, scared, and intellectual.

Here, she is just what she needs to be: plucky, healthy, exasperated, loyal, and funny. The film follows George Finney and Faith Dunlap Keaton , whose deteriorating marriage, separation and love affairs devastate their four children.

Shoot the Moon received mostly positive reviews from critics and Keaton's performance was again praised.

Diane Keaton may be a star without vanity: she's so completely challenged by the role of Faith that all she cares about is getting the character right.

Very few young American movie actresses have the strength and the instinct for the toughest dramatic roles — intelligent, sophisticated heroines.

There hasn't been anybody else until now. Diane Keaton acts on a different plane from that of her previous film roles; she brings the character a full measure of dread and awareness, and does it in a special, intuitive way that's right for screen acting.

David Denby of New York magazine called Keaton "perfectly relaxed and self-assured", adding, "Keaton has always found it easy enough to bring out the anger that lies beneath the soft hesitancy of her surface manner, but she's never dug down and found this much pain before.

The Little Drummer Girl was both a financial and critical failure, with critics claiming that Keaton was miscast for the genre, such as one review from The New Republic claiming that "the title role, the pivotal role, is played by Diane Keaton, and around her the picture collapses in tatters.

She is so feeble, so inappropriate. Soffel , a film based on the true story of a repressed prison warden's wife who falls in love with a convicted murderer and arranges for his escape.

Two years later she starred with Jessica Lange and Sissy Spacek in Crimes of the Heart , adapted from Beth Henley 's Pulitzer Prize-winning play into a moderately successful screen comedy.

Keaton's performance was well received by critics, and Rita Kempley of The Washington Post wrote, "As the frumpy Lenny, Keaton eases smoothly from New York neurotic to southern eccentric, a reluctant wallflower stymied by, of all things, her shriveled ovary.

In Keaton starred in Baby Boom , her first of four collaborations with writer-producer Nancy Meyers.

She played a Manhattan career woman who is suddenly forced to care for a toddler. A modest box-office success, Keaton's performance was singled out by Kael, who described it as "a glorious comedy performance that rides over many of the inanities in this picture.

Keaton is smashing: the Tiger Lady's having all this drive is played for farce and Keaton keeps you alert to every shade of pride and panic the character feels.

She's an ultra-feminine executive, a wide-eyed charmer, with a breathless ditziness that may remind you of Jean Arthur in The More The Merrier.

Like, BIG failure" , [42] and some critics panned her performance; according to The Washington Post , "her acting degenerates into hype—as if she's trying to sell an idea she can't fully believe in.

In Keaton directed and edited her first feature film, Heaven , a documentary about the possibility of an afterlife. It met with mixed critical reaction, with The New York Times likening it to "a conceit imposed on its subjects.

By the s Keaton had established herself as one of the most popular and versatile actors in Hollywood.

She shifted to more mature roles, frequently playing matriarchs of middle-class families. Of her role choices and avoidance of becoming typecast , she said: "Most often a particular role does you some good and Bang!

You have loads of offers, all of them for similar roles I have tried to break away from the usual roles and have tried my hand at several things. In she starred with Steve Martin in the family comedy Father of the Bride.

She was almost not cast in the film, as The Good Mother 's commercial failure had strained her relationship with Walt Disney Pictures , the studio of both films.

She reprised her role four years later in the sequel, as a woman who becomes pregnant in middle age at the same time as her daughter. A San Francisco Examiner review of the film was one of many in which Keaton was once again compared to Katharine Hepburn : "No longer relying on that stuttering uncertainty that seeped into all her characterizations of the s, she has somehow become Katharine Hepburn with a deep maternal instinct, that is, she is a fine and intelligent actress who doesn't need to be tough and edgy in order to prove her feminism.

Keaton's character was now Michael Corleone's estranged ex-wife. Criticism of the film and Keaton again centered on her character's unimportance in the film.

The Washington Post wrote, "Even though she is authoritative in the role, Keaton suffers tremendously from having no real function except to nag Michael for his past sins.

Her part was originally intended for Mia Farrow , but Farrow dropped out of the project after breaking up with Allen.

In Keaton directed Unstrung Heroes , her first theatrically released narrative film. The movie, adapted from Franz Lidz 's memoir, starred Nathan Watt as a boy in the s whose mother Andie MacDowell becomes ill with cancer.

As her sickness advances and his inventor father John Turturro grows increasingly distant, the boy is sent to live with his two eccentric uncles Maury Chaykin and Michael Richards.

Keaton switched the story's setting from the New York of Lidz's book to the Southern California of her own childhood, and the four mad uncles were reduced to a whimsical odd couple.

Keaton's most successful film of the decade was the comedy The First Wives Club. She starred with Goldie Hawn and Bette Midler as a trio of "first wives": middle-aged women who had been divorced by their husbands in favor of younger women.

Keaton claimed that making the film "saved [her] life. Meryl Streep played her estranged sister, Lee, and had also initially been considered for the role of Bessie.

The film also starred Leonardo DiCaprio as Lee's rebellious son. Roger Ebert wrote, "Streep and Keaton, in their different styles, find ways to make Lee and Bessie into much more than the expression of their problems.

She said the role's biggest challenge was understanding the mentality of a person with a terminal illness. In Keaton narrated the one-hour public-radio documentary "If I Get Out Alive", the first to focus on the conditions and brutality young people face in the adult correctional system.

She directed the film, despite claiming in a interview that she would never direct herself in a film, saying "as a director, you automatically have different goals.

I can't think about directing when I'm acting. The corpse took with it the reputations of its starry cast, including Warren Beatty and Diane Keaton.

In Crossed Over , she played Beverly Lowry, a woman who forms an unusual friendship with the only woman executed while on death row in Texas, Karla Faye Tucker.

Nicholson and Keaton, aged 65 and 56 respectively, were seen as bold casting choices for leads in a romantic comedy.

Twentieth Century Fox, the film's original studio, reportedly declined to produce the film, fearing that the lead characters were too old to be bankable.

Keaton told Ladies' Home Journal , "Let's face it, people my age and Jack's age are much deeper, much more soulful, because they've seen a lot of life.

They have a great deal of passion and hope —why shouldn't they fall in love? Why shouldn't movies show that? In the film, scripted and directed by Thomas Bezucha , Keaton played a breast cancer survivor and matriarch of a big New England family that reunites at the parents' home for its annual Christmas holidays.

In the romantic comedy Because I Said So , directed by Michael Lehmann , Keaton played a long-divorced mother of three daughters, determined to pair off her only single daughter, Milly Mandy Moore.

Distributed for a limited release to certain parts of the United States only, the independent comedy garnered largely negative reviews.

In Keaton starred alongside Dax Shepard and Liv Tyler in Vince Di Meglio's dramedy Smother , playing the overbearing mother of an unemployed therapist, who decides to move in with him and his girlfriend after breaking up with her husband Ken Howard.

She's turned herself into a mother-in-law joke. Based on the British television drama Hot Money , the film revolves around three female employees of the Federal Reserve who scheme to steal money that is about to be destroyed.

In Keaton starred alongside Rachel McAdams and Harrison Ford in Roger Michell 's comedy Morning Glory , playing the veteran TV host of a fictional morning talk show that desperately needs to boost its lagging ratings.

Portraying a narcissistic character who will do anything to please the audience, Keaton described her role as "the kind of woman you love to hate. In fall Keaton joined the production of the comedy drama Darling Companion by Lawrence Kasdan , which was released in Co-starring Kevin Kline and Dianne Wiest and set in Telluride, Colorado , [88] the film follows a woman, played by Keaton, whose husband loses her much-beloved dog at a wedding held at their vacation home in the Rocky Mountains , resulting in a search party to find the pet.

One critic wrote that " And So It Goes aims for comedy, but with two talented actors stuck in a half-hearted effort from a once-mighty filmmaker, it ends in unintentional tragedy.

They play a long-married couple who have an eventful weekend after they are forced to contemplate selling their beloved Brooklyn apartment.

Keaton's only film of was Love the Coopers , an ensemble comedy about a troubled family getting together for Christmas, for which she reunited with Because I Said So writer Jessie Nelson.

It also set numerous records, including the biggest animated opening of all time in North America , emerging as the biggest animated film of all time in the US.

Keaton has had several romantic associations with noted entertainment industry personalities, starting with her audition for the Broadway production of Play It Again, Sam , directed by Woody Allen.

Their relationship became romantic after they had dinner after a late-night rehearsal. It was her sense of humor that attracted Allen. Keaton was already dating Warren Beatty in when they co-starred in the film Reds.

In Vanity Fair called her "the most reclusive star since Garbo. Troubles with the production are thought to have strained the relationship, including numerous financial and scheduling problems.

Keaton said of Pacino, "Al was simply the most entertaining man To me, that's, that is the most beautiful face.

I think Warren was gorgeous, very pretty, but Al's face is like whoa. Killer, killer face. In July , Keaton said of being older and unmarried, "I don't think that because I'm not married it's made my life any less.

That old maid myth is garbage. Her father's death made mortality more apparent to her, and she decided to become a mother at age It's just about the most completely humbling experience that I've ever had.

Keaton said she produced her documentary Heaven because "I was always pretty religious as a kid I was primarily interested in religion because I wanted to go to heaven.

Keaton opposes plastic surgery. She told More magazine in , "I'm stuck in this idea that I need to be authentic My face needs to look the way I feel.

Keaton is active in campaigns with the Los Angeles Conservancy to save and restore historic buildings, particularly in the Los Angeles area.

Kennedy was assassinated. She is an enthusiast of Spanish Colonial Revival architecture. Since Keaton has been a contributing blogger at The Huffington Post.

Keaton has served as a producer on films and television series. She produced the Fox series Pasadena , which was canceled after airing only four episodes in but completed its run on cable in In she produced the Gus Van Sant drama Elephant , about a school shooting.

Of why she produced the film, she said, "It really makes me think about my responsibilities as an adult to try and understand what's going on with young people.

Keaton has continued to pursue her interest in photography. In she told Vanity Fair , "I have amassed a huge library of images—kissing scenes from movies, pictures I like.

Visual things are really key for me. Works she has edited in the last decade include a book of photographs by paparazzo Ron Galella ; an anthology of reproductions of clown paintings; and a collection of photos of California's Spanish-Colonial-style houses.

Keaton has also established herself as a real estate developer. She has resold several mansions in Southern California after renovating and redesigning them.

At times, she's so basic, at others so wise it frightens me. Keaton has been called "one of the great American actresses from the heyday of the s", a style icon and a "treasure" with a personal and professional style that is "difficult to explicate and impossible to duplicate.

The New York Times described Keaton as "remarkably skilled" at portraying Woody Allen's "darling flustered muse" in his comedies, as well as "shy, self-conscious women overcome by the power of their own awakened eroticism" in dramatic films like Looking for Mr.

Goodbar , Reds , Shoot the Moon and Mrs. Literary critic Daphne Merkin argued that Keaton remained more popular with audiences than her contemporaries because of her "friendly accessibility" and "charmingly self-effacing" persona, calling Keaton's most "steadfastly glamorous" asset her "megawatt personality, bursting out of her like an uncontrollable force of nature, a geyser of quirkily entertaining traits that fall on the air and lend everything around her a momentary sparkle.

Audiences love her because they identify with the women she plays, who are never all of a piece. Nobody can be grave and goofy all at once like Diane Keaton.

In these fractious times, it's the perfect combo for a modern heroine. Analyzing her on-screen persona, Deborah C. Mitchell wrote that Keaton often played "a complex, modern American woman, a paradox of self-doubt and assurance", which became her trademark.

Mitchell suggests that Keaton made Annie Hall a "critical juncture for women in American culture. In this ism-infected age, Keaton became not just a star but an icon.

Annie Hall, and with her Diane Keaton, presented all of the uncertainty and ambivalence of the new breed of women. Goodbar , Andrew Sarris remarked, "Keaton is clearly the most dynamic woman star in pictures.

And any actress who can bring wit and humor to sex in an American movie has to be blessed with the most winning magic.

When asked what made Keaton funny, Allen said: "My opinion is that with the exception of Judy Holliday , she's the finest screen comedienne we've ever seen.

It's in her intonation; you can't quantify it easily. When Groucho Marx or W. Fields or Holliday would say something, it's in the ring of their voices, and she has that.

It's never line comedy with her. It's all character comedy. Looking for Mr. From Wikipedia, the free encyclopedia. American film actress.

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